Song stats
“Do Nafari” by Satin has 3,590,206 plays: 3,476,995 on RadioJavan (as of Oct 23, 2026) and 113,211 on Spotify (as of Aug 26, 2026). It is Satin's 46th most-played song on FarsiChart.
RadioJavan count as of Oct 23, 2026; Spotify count as of Aug 26, 2026 · How we count · Report an error
Play history
Drag across a chart to see each day’s count.
as of Oct 23, 2026
- Last 6 days
- +2,124 Oct 17–23
- Last month
- +13,292 Sep 19 to Oct 23
- Daily average
- 388 plays since Aug 26
All readings (19)
| Date | Plays | Gain |
|---|---|---|
| Oct 23, 2026 | 3,476,995 | +1,074 in 3 days |
| Oct 20, 2026 | 3,475,921 | +1,050 in 3 days |
| Oct 17, 2026 | 3,474,871 | +1,210 in 3 days |
| Oct 14, 2026 | 3,473,661 | +1,225 in 3 days |
| Oct 11, 2026 | 3,472,436 | +1,011 in 3 days |
| Oct 8, 2026 | 3,471,425 | +1,221 in 3 days |
| Oct 5, 2026 | 3,470,204 | +3,191 in 8 days |
| Sep 27, 2026 | 3,467,013 | +3,310 in 8 days |
| Sep 19, 2026 | 3,463,703 | +3,484 in 7 days |
| Sep 12, 2026 | 3,460,219 | +2,089 in 6 days |
| Sep 6, 2026 | 3,458,130 | +1,402 in 4 days |
| Sep 2, 2026 | 3,456,728 | +244 |
| Sep 1, 2026 | 3,456,484 | +349 |
| Aug 31, 2026 | 3,456,135 | +349 |
| Aug 30, 2026 | 3,455,786 | +303 |
| Aug 29, 2026 | 3,455,483 | +126 |
| Aug 28, 2026 | 3,455,357 | +756 |
| Aug 27, 2026 | 3,454,601 | +109 |
| Aug 26, 2026 | 3,454,492 |
On FarsiChart’s charts
Positions by Spotify plays
What the numbers say
In FarsiChart’s overall ranking, “Jadu” by Hayedeh is one place above it, 483 plays ahead; “Ba Man Bash” by Shadmehr Aghili is one place below, 1,118 plays behind. Among Satin’s songs it is 8,978 plays behind “Ey Daad Bar Man”.
By Spotify plays it is #48 on Best Persian Rap Songs by Women.
In FarsiChart’s catalogue, Satin’s previous release is “Donyaye Ajib” (Feb 17, 2024) and the next is “Kamesh Kon DJ Navid Remix” (Aug 10, 2024).
Artist
Among Satin’s songs
#46 of 100 songs, by total plays
- #45Ey Daad Bar Man3.6M
- #46Do Nafari3.6M
- #47Toro Doost Daram (DJ Navid Remix)3.5M
More songs by Satin
The most-played, and the songs next to this one; each number is its place among Satin’s songs.


